Ghana leads historic UN vote on slavery, U.S. and Israel vote against it

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By: Eddy “Precise” Lamarre

In a moment that carried both historical weight and modern urgency, John Dramani Mahama stepped onto the global stage at the United Nations to deliver a message that reached far beyond diplomacy. His speech, delivered just ahead of a landmark vote, framed the transatlantic slave trade not as a distant chapter in history, but as a defining moral issue that continues to shape the present.

Mahama’s address set the tone for what would become a deeply revealing global vote. Ghana introduced a resolution calling for the transatlantic slave trade to be formally recognized as the “gravest crime against humanity,” alongside a call for reparatory justice. The resolution ultimately passed with strong support, but not without resistance that exposed clear geopolitical divisions

The final tally told a powerful story. A total of 123 countries voted in favor of the resolution. Three countries voted against it: the United States, Israel, and Argentina. Meanwhile, 52 countries abstained, including the United Kingdom and several members of the European Union. 

Those abstentions and opposing votes became just as significant as the resolution itself, signaling hesitation among Western nations around the implications of formally elevating slavery within the hierarchy of crimes against humanity. Critics argued that such language could create legal and moral precedents tied to reparations and historical accountability.

Before the vote, Mahama addressed these tensions directly. In his speech, he emphasized the importance of language and truth, stating that “there is no such thing as a slave,” only human beings who were trafficked and enslaved. He underscored that the system was built on denying African humanity and reinforcing a false racial hierarchy. 

He framed the resolution as more than symbolic. According to Mahama, the transatlantic slave trade was a violent global system that extracted wealth while embedding long-term inequality across continents. He pointed to the estimated millions who were forcibly taken, stripped of identity, and subjected to brutal conditions that fueled economic growth in Europe and the Americas.

Mahama also stressed the importance of collective memory. He described the resolution as “a safeguard against forgetting,” warning that historical erasure continues through distorted narratives, limited education, and the softening of language around slavery. 

The resolution itself is not legally binding, but it carries significant political and cultural weight. It calls on nations to engage in dialogue around reparations, which may include formal apologies, financial compensation, and the return of stolen artifacts.

Ghana’s leadership in this effort reflects its broader role in global conversations around historical justice. As a country deeply tied to the legacy of the transatlantic slave trade, Ghana has consistently positioned itself at the forefront of efforts to reshape how that history is recognized and addressed.

At the same time, the opposition and abstentions highlight the complexity of that mission. For some nations, acknowledging slavery at this level raises difficult questions about responsibility, liability, and the long-term consequences of historical injustice.

Still, the resolution’s passage marks a turning point. It signals a growing willingness among a majority of nations to formally recognize the scale and severity of the transatlantic slave trade, even as others remain cautious.

Mahama’s speech ultimately served as both a reminder and a challenge. It reminded the world that the legacy of slavery remains present in today’s global systems, and it challenged leaders to confront that reality with honesty and action.

As the resolution moves forward, the divide revealed in the vote may shape the next phase of the conversation. Recognition has been established. The question now is whether accountability will follow.

JAŸ-Z said what about battling and Hip Hop culture

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By: Eddy ‘Precise” Lamarre

JAŸ-Z sat down with Frazier Tharpe of GQ for an interview for their April cover story. The music mogul opened up about his career the past year and shared some thoughts on the culture. 

GQ’s April cover story is an exclusive interview: 30 years of Jay-Z, in his own words:

Jay-Z has kept his thoughts to himself for the better part of the past decade. It’s been nine years since his last solo album and nearly four years since his titanic verse on “God Did.” As Hov himself puts it: “It’s been a minute.”

Now 56 years old and thirty years on from his debut album, Reasonable Doubt, Shawn Carter is more influential than ever before. But the journey hasn’t been without controversy, criticism, and challenges. When the hip-hop mogul sat down with GQ’s Frazier Tharpe for a pair of rare on-camera interviews in January, he put everything on the table reflecting on music, business, family, and life over the past three decades as Jay-Z.

Check out the video and hear what he has to say about the culture, battling and his life.

J. Cole and Camron address lawsuit – finally

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By: Eddy “Precise” Lamarre

In a moment that feels both strategic and genuine, J. Cole and Cam’ron have finally sat down to address the lawsuit that once created tension between them. The meeting comes on the heels of the success surrounding Cole’s latest release, The Fall Off, and naturally, some are reading the timing as part of a broader rollout. Maybe it is, maybe it isn’t. Either way, the conversation itself lands right.

J. Cole didn’t shy away from being honest about his first reaction. “When the lawsuit came out, I was like, ‘Come on Cam’ … My ego reaction is like, quietly, I’m like, ‘fuck this n****.’ But quickly I’m like, ‘Nah I get it though.’” That quick shift from ego to understanding speaks to the space Cole has been operating in, where perspective matters just as much as pride.

Cam’ron kept it just as direct about his intentions. “Of course it was never gonna go anywhere, but for me it was like, ‘I need to get this n**** attention.’” It reframes the situation in a way that feels less like conflict and more like forcing a conversation that needed to happen.

With The Fall Off already dominating discussions, this sit-down adds another layer to Cole’s current moment. Some fans see it as calculated, part of a larger narrative being built. Others see two artists choosing to handle business face to face instead of letting it linger.

Coco Jones gets super sexy and unveils “Luvagirl” video

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Coco Jones steps into a new era with the release of her “Luvagirl” video, delivering a confident and polished visual that matches the energy of the single. The video blends soft femininity with bold attitude, showcasing Coco’s growth as both an artist and storyteller. With clean production, striking visuals, and a performance that feels effortless, she leans fully into her identity and sound. “Luvagirl” captures themes of self-worth, love, and emotional clarity, giving fans something both relatable and aspirational. This release continues to position Coco Jones as one of R&B’s most compelling voices right now.

Friday Heat: Nas & DJ Premier, Lizzo, 6LACK, T.I., Swae Lee & Durand Bernarr

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Friday Heat

By: Eddy “Precise” Lamarre

This week’s Friday Heat on Precise Muzic taps into a strong mix of legacy, soul, and fresh energy shaping the current sound. Nas and DJ Premier set it off with “GiT Ready,” a record that feels like timeless hip-hop sharpened for today. It carries that raw essence while still sounding current, a reminder of what happens when elite craftsmanship meets consistency. Phoenix James follows with “Hold On,” bringing emotion and reflection to the forefront with a record that speaks to perseverance and staying grounded through pressure.

Lizzo adds a different layer with “Don’t Make Me Love U,” leaning into vulnerability while keeping her signature presence intact. 6LACK keeps the mood introspective with “Bird Flu,” delivering a smooth and thoughtful record that blends melody with real-life reflection. Swae Lee and Rich The Kid shift the energy with “Don’t Even Call,” bringing a lighter, melodic bounce that feels made for riding through the city.

T.I. steps in with “Trauma Bond,” offering depth and perspective, touching on the emotional ties that shape relationships and decisions. Closing things out, Durand Bernarr and James Fauntleroy deliver “Wild Ride,” a soulful collaboration that feels intentional, smooth, and rooted in pure musicality.

This week’s lineup shows range. You get substance, melody, storytelling, and replay value all in one rotation. That’s what Friday Heat is about. Press play, lock in, and let the music carry you through the weekend.

Friday Heat Videos

Nas & DJ Premier – GiT Ready

Phoenix James – Hold On

Lizzo – Don’t Make Me Love U

6LACK – Bird Flu

Swae Lee – Don’t Even Call (ft. Rich The Kid)

T.I. – Trauma Bond

Durand Bernarr & James Fauntleroy – Wild Ride

JAY-Z announces historic Yankee Stadium concerts in 2026

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By: Eddy “Precise” Lamarre

JAY-Z and Roc Nation have announced two historic nights at Yankee Stadium this summer, celebrating the milestone anniversaries of two of the most influential albums in music history. JAY-Z 30 will take place on Friday, July 10th, honoring the 30th anniversary of Reasonable Doubt, and JAY-Z 25 will follow on Saturday, July 11th, marking 25 years since the release of The Blueprint.

The back-to-back concerts represent a rare opportunity for fans to experience both albums commemorated on the same stage, in the city where JAY-Z’s legendary career began.

Released on June 25, 1996, through Roc-A-Fella Records, Reasonable Doubt is widely regarded as one of the greatest debut albums in rap history. Featuring production from DJ Premier, Ski Beatz, Clark Kent, and Irv Gotti, among others, the album introduced JAY-Z as one of the genre’s most compelling storytellers. Guest appearances from The Notorious B.I.G., Mary J. Blige, Foxy Brown, Memphis Bleek, Jaz-O, and Sauce Money helped cement the project as an instant classic, one that has only grown in stature over the past three decades.

Five years later, JAY-Z raised the bar again. The Blueprint, released on September 11, 2001, is consistently ranked among the greatest albums ever recorded across any genre. Crafted largely in just two weeks, the project featured production from a then-rising Kanye West, Just Blaze, and Bink, and showcased a confidence and artistry that redefined what a rap album could be. Twenty-five years on, its influence remains undeniable.

The concerts arrive at a moment when JAY-Z’s legacy spans far beyond music. A 25-time Grammy Award winner, he made history as the first solo hip-hop artist inducted into the Rock and Roll Hall of Fame. He is also a Songwriters Hall of Fame inductee whose impact on popular culture is difficult to overstate.

In 2008, JAY-Z co-founded Roc Nation, the global entertainment company that today spans music, sports, film, and culture. His entrepreneurial portfolio includes D’USSÉ cognac, Paper Planes, the iconic 40/40 Club, TIDAL, and Armand de Brignac champagne, ventures that reflect the same vision and ambition that defined his earliest work.

JAY-Z has also remained committed to social impact throughout his career. Through the Shawn Carter Foundation, co-founded with his mother Dr. Gloria Carter, he supports educational opportunities for underserved youth. He has also been a prominent advocate for criminal justice reform through the REFORM Alliance.

JAY-Z 30 and JAY-Z 25 promise to be defining moments not just for hip-hop fans, but for anyone who understands the cultural weight these two albums carry. Reasonable Doubt announced the arrival of an artist unlike any the genre had seen. The Blueprint proved he could evolve, innovate, and inspire an entirely new generation of artists.

Together, they tell the story of one of the greatest careers in music history, and this July, that story comes home to New York.

Why Afroman is my new favorite rapper

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By Eddy “Precise” Lamarre

Afroman has officially become my favorite rapper.

I remember hearing about the raid on his home back in 2022 in Adams County, Ohio. Authorities showed up with a warrant looking for drugs and a kidnapping victim. They didn’t find either. What they did do was kick in his door, search through his home, and leave it in pieces.

They also allegedly took cash.

When Afroman went to get his money back, he said he was $400 short.

That’s when things took a turn.

The “Because I Got High” rapper did what he’s always done. He made music out of it. But this time, it wasn’t just a vibe or a moment. It was personal.

He dropped songs like “Will You Help Me Repair My Door”, “Lemon Pound Cake”, and “Why You Disconnecting My Video Camera”, using actual footage from his home surveillance cameras during the raid. He turned the entire situation into content, into commentary, into something that couldn’t be ignored.

And I’m not going to lie, I love every moment of it.

This is hip hop at its core. This is what the culture was built on. Speaking truth, pushing back, and documenting what’s happening in real time. No filter, no permission needed.

He’s standing on his experience and letting the music do the talking.

Now the officers involved feel some type of way about it and filed a lawsuit, claiming defamation, invasion of privacy, and emotional distress over the videos and songs.

And that’s the part that really gets me.

How do you show up, tear someone’s home apart, allegedly take their money, end up finding nothing you were looking for, and then get mad when that same person turns around and makes songs about it?

Not just songs, but creative, funny, and sharp records that call out exactly what happened from their point of view.

That’s what artists do.

That’s what hip hop does.

Afroman didn’t run from it. He leaned into it. He turned surveillance footage into storytelling. He flipped frustration into records. He made the situation live forever in a way that paperwork and reports never could.

People really are something else.

Shout out to Afroman and that American flag suit. He’s standing in it, owning it, and not backing down. Whether he wins the case or not, he already made his statement.

And he gained a new fan in me.

What to Expect at Roots Picnic 2026 with Jay-Z

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  • By Eddy “Precise” Lamarre Mar 17, 2026

Hip-hop is set for a defining summer moment as Jay-Z takes center stage as a headliner at the Roots Picnic, taking place May 30–31, 2026, in Philadelphia. Curated by The Roots, the annual festival continues to stand as one of the culture’s most important gatherings, blending hip-hop, R&B, and community into one powerful weekend.

This year’s edition carries added anticipation, not just because of Jay-Z’s presence, but because of what it represents. After a challenging 2025 festival that was impacted by severe weather and logistical issues, the Roots Picnic is positioning itself for a strong comeback. Last year’s event saw delays, shortened performances, and frustration among attendees. Organizers have acknowledged those concerns and are implementing improvements, including a new venue at Belmont Plateau and enhanced planning to elevate the overall experience.

Jay-Z’s headlining slot feels intentional in that context. His presence signals a reset and raises expectations across the board. Known for commanding stages worldwide, he brings both star power and a catalog that spans decades. Whether delivering fan favorites or pulling from deeper cuts, his set is expected to anchor the weekend and reestablish the festival’s momentum.

There is also a layer of legacy surrounding this performance. Jay-Z continues to celebrate the enduring impact of his debut album Reasonable Doubt, originally released in 1996. The project laid the foundation for one of the most influential careers in music and business. A performance at Roots Picnic provides the ideal setting to revisit that era while connecting it to his continued evolution as an artist and cultural figure.

The connection between Jay-Z and The Roots adds even more weight to this moment. Their history includes a standout collaboration on MTV Unplugged in 2001, where The Roots served as the live band for Jay-Z. That performance reimagined his music through live instrumentation and remains one of the most respected live hip-hop sets ever recorded. The chemistry from that collaboration still resonates, making this reunion feel like a full-circle moment.

That history also fuels speculation. The Roots Picnic has always been known for surprise guests and collaborative performances, and Jay-Z’s involvement opens the door for something beyond a standard festival set. A live band-backed performance with The Roots, special appearances, or even hints at new material all remain possibilities. Given Jay-Z’s selective approach to live performances in recent years, his decision to headline suggests intention behind the moment.

Beyond the music, the Roots Picnic continues to serve as a cultural touchpoint. Since its inception, the festival has brought together generations of artists and fans, creating a space where legacy acts and emerging talent share the same stage. With Jay-Z headlining, the festival regains a level of scale and significance that aligns with its history.

Philadelphia adds another dimension. As the home of The Roots and a city deeply connected to hip-hop culture, it provides an authentic backdrop that elevates the experience. The crowd, the history, and the energy all contribute to what feels like more than just a festival. It becomes a cultural moment.

As May 30–31 approaches, all eyes will be on the Roots Picnic to see how it delivers on this opportunity. With lessons learned from last year and one of hip-hop’s most iconic figures leading the charge, the stage is set for a comeback that could redefine the festival’s trajectory moving forward.

What Malcolm Jamal-Warner means to Black boys and men

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Hearing the news of Malcolm-Jamal Warner’s passing hit like a ton of bricks. It was totally out of left field—so unexpected and sudden. As a man of a certain age, I recognize that many of my peers are experiencing major life changes. More often than not, those changes involve the loss of a loved one or their own passing. We all know that at some point, we have to go. But whenever one of us does, it always feels too soon.

Malcolm-Jamal Warner’s death hits especially hard because of what he represented to young Black men around the world. We were introduced to him as Theo Huxtable—a clean-cut Black teen who came from a good home and lived a normal life. In the eighties, there were very few, if any, characters who resonated with Black boys in that way. He wasn’t painted by the brush of white society, and he wasn’t some sidekick. Theo was us. He got the pretty girls, had a cool best friend, and sometimes struggled in school. The mere existence of a character like Theo was revolutionary—and Malcolm embodied him in a way that was honorable and aspirational.

Malcolm carried that same dignity throughout his entire career. He consistently showed up on screen as a strong character—not a caricature. His impact was real and will endure for generations.

When one of us passes on, it always feels too sudden. But in my heart, I believe that when that moment comes, it’s God letting us know our assignment is complete—and He’s coming to take us home. I know I speak for millions of brothers when I say: thank you, Malcolm. Job well done.

  • Eddy “Precise” Lamarre

‘Cosby Show’ star Malcolm-Jamal Warner dies at 54

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BREAKING: ‘The Cosby Show’ Star Malcolm-Jamal Warner Dead at 54, TMZ Reports

Malcolm-Jamal Warner, the beloved actor who rose to fame as Theo Huxtable on the groundbreaking television series The Cosby Show, has died at age 54. TMZ was first to report the news of Warner’s unexpected death, which has since been confirmed by multiple outlets including People Magazine, Page Six, and Fox News.

According to TMZ, Warner died from an accidental drowning. As of this writing, no additional details have been released regarding the specific circumstances surrounding his death or where the incident took place. Representatives for the actor have not yet issued an official statement, but tributes are already pouring in from fans and industry colleagues devastated by the loss.

Warner, born on August 18, 1970, in Jersey City, New Jersey, became a household name at just 14 years old. Cast as the affable and often comically misguided Theo Huxtable, he starred alongside Bill Cosby in what would become one of the most influential sitcoms in television history. The Cosby Show ran for eight seasons from 1984 to 1992 and changed the landscape of primetime TV by centering a successful, loving Black family.

The role earned Warner critical acclaim and an Emmy nomination, cementing his status as a cultural icon. But Warner was never content to rest on early success. Over the next several decades, he built a rich and varied career, starring in the hit sitcom Malcolm & Eddie from 1996 to 2000 and later appearing in shows like Reed Between the Lines, Major Crimes, Suits, The Resident, and 9-1-1.

Warner also lent his voice to educational programming, most notably as “The Producer” on The Magic School Bus, a role that endeared him to a generation of young viewers. He was also a gifted director, working behind the camera on episodes of The Cosby Show, All That, Keenan & Kel, and Malcolm & Eddie.

Outside of television, Warner was a passionate musician and spoken word artist. In 2015, he won a Grammy Award for Best Traditional R&B Performance for his contribution to Robert Glasper’s cover of Stevie Wonder’s “Jesus Children of America.” He frequently blended his music with poetry and social commentary, performing with his band and appearing at events across the country.

In recent years, Warner hosted the Not All Hood podcast, where he explored topics around culture, community, and identity. A new episode of the podcast was released just three days before his death, underscoring the suddenness and shock of his passing.

Despite his public career, Warner kept his personal life intensely private. He is survived by his wife and daughter, whose names he never publicly disclosed. In interviews, he often spoke about fatherhood as one of his most important and grounding experiences.

Fans and fellow artists have taken to social media to express their grief and celebrate Warner’s legacy. Many have highlighted his contributions not just as an actor, but as a cultural force who brought nuance and humanity to the roles he played—especially during a time when Black characters were often underdeveloped or stereotyped on screen.

Malcolm-Jamal Warner’s death marks the end of an era. He was more than a child star—he was a multitalented artist who continued to evolve, inspire, and uplift. His voice, both literal and artistic, will be sorely missed.

This is a developing story. Additional details and official statements are expected in the coming hours.