Doja Cat Discusses Substance Use, Identity and Her Healing

Screenshot photo source Instagram @dojacat

By Eddy “Precise” Lamarre

Doja Cat has publicly addressed her past cocaine use, difficult relationship with alcohol, racial identity and ongoing mental health treatment. The rapper and singer discussed the subjects through a series of TikTok videos shared Aug. 31.

Her comments offered context for several periods of controversy in her career while emphasizing that she considers herself to be on a continuing path toward healing. Entertainment Weekly, Complex and E! News reported on the videos.

What did Doja Cat reveal?

Doja Cat said she struggled with cocaine approximately eight years ago but considers that experience to be behind her. She distinguished that history from her relationship with alcohol, which she described as a recurring problem without identifying herself as an alcoholic.

She connected drinking, untreated mental illness and online validation to destructive thinking. Her account focused on how social media could reinforce the negative thoughts she was experiencing instead of providing genuine support.

Doja Cat also addressed accusations that the darker imagery used during her Scarlet era reflected something dangerous about her character. She explained the imagery as an artistic representation of personal problems, addiction and mental distress.

Her remarks should be understood as her personal account, not a clinical explanation of addiction or mental illness.

How did she address race and self-image?

The artist, who is biracial, said she began struggling with her identity after moving to a predominantly white neighborhood at age 8. She described feeling confused about where she belonged and how she understood her Blackness.

That history provided context for criticism Doja Cat has faced concerning her past online behavior and racial identity. She acknowledged that there was a period when she struggled with self-hate, but she rejected the idea that those feelings still define her.

“I don’t hate myself,” she said in one of the videos.

Doja Cat encouraged people experiencing similar confusion to care for themselves, sleep and seek help. She did not suggest that personal reflection should replace professional treatment.

Why does this conversation matter in music culture?

Artists are frequently expected to turn emotional distress into music while keeping the underlying struggle away from public view. Social platforms intensify that pressure because an artist can receive praise, mockery and judgment within minutes.

Doja Cat’s disclosure complicates the public character that has surrounded her work. Provocative imagery can function as performance, but it can also grow from experiences the audience does not fully understand.

Her comments do not erase earlier controversies. They provide information listeners can consider when evaluating her evolution and the public conversation surrounding her.

The disclosure is also relevant to Black and biracial fans who have experienced isolation in communities where their identity was questioned. That part of her message reached beyond celebrity news and into a familiar discussion about belonging.

What has Doja Cat said about treatment?

Doja Cat revealed in March that she had been diagnosed with borderline personality disorder. She said she has participated in therapy for several years and expects treatment to remain a long-term process.

Mental health conditions and substance-use disorders require individualized evaluation. Anyone facing an immediate mental health or substance-use crisis in the United States can call or text 988 for confidential support.

Doja Cat’s videos ultimately presented healing as unfinished work. Her willingness to discuss that work publicly may help shift the conversation from spectacle toward accountability, context and care.

Drake Debuts Iceman Tracks With Don Toliver at Toronto Show

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By Eddy “Precise” Lamarre

Drake delivered the first live performances of three songs from Iceman during a surprise appearance at Don Toliver’s Toronto concert. The hometown moment gave fans their first look at how the album translates from streaming platforms to an arena.

The rapper joined Toliver at Scotiabank Arena on Aug. 31, performing “Shabang,” “Burning Bridges” and “Janice STFU.” The appearance occurred during the Toronto stop of Toliver’s tour supporting Octane, according to Billboard Canada and Complex.

What did Drake perform in Toronto?

Drake began his appearance with “Shabang” before transitioning into “Burning Bridges.” He also performed “Janice STFU,” one of the album’s biggest Canadian singles.

“Janice STFU” debuted at No. 1 on the Billboard Canadian Hot 100 and spent three consecutive weeks in the top position. Billboard Canada reported that the run made it Drake’s longest-leading Canadian No. 1 single of the decade.

The performance marked Drake’s first time presenting material from Iceman in concert. The album, released in May, previously reached No. 1 on the Billboard Canadian Albums chart.

Drake told the Toronto crowd that he appreciated Toliver giving him an opportunity to perform the album. Toliver, in turn, acknowledged Drake’s influence on his generation of artists.

That exchange carried additional weight because both performers have maintained a strong commercial presence in 2026. Toliver’s Octane also topped the Canadian albums chart earlier this year.

Why was this surprise appearance important?

Surprise appearances have become an effective way for major artists to test new records without immediately committing to a full tour announcement. A three-song set creates social clips, fan reactions and real-time feedback while preserving the excitement surrounding a larger live presentation.

For Drake, the hometown setting offered another advantage. Toronto audiences have been part of his story since the beginning of his career, making Scotiabank Arena a natural location to introduce the Iceman material.

The appearance also placed two generations of melodic rap on the same stage. Toliver has developed his own atmospheric approach to hip-hop, but his combination of rap, melody and large-scale production exists within a lane Drake helped expand.

Their mutual respect kept the moment from feeling like a routine guest appearance. It presented established influence and current momentum in the same frame.

Is Drake preparing another major live run?

Drake has not formally announced an Iceman tour. Recent activity, however, gives fans several reasons to watch his next move.

He has remained visible at events around Toronto and has shared cryptic references to “FOMO 2026” online. Those posts have fueled speculation about additional music or a possible live campaign, though Drake has not confirmed what the phrase represents.

His Toronto performance provides one confirmed development: Iceman has officially entered its live phase.

For fans, that may be the strongest indication yet that the album’s story is continuing beyond the charts.

Ye finally releases Bully and delivers striking “Father” visuals

By: Eddy “Precise” Lamarre

Ye finally dropped the latest iteration of Bully. I haven’t had a chance to really sit with it yet, partly because it’s only available on YouTube and Spotify right now. I’m hoping it lands on Apple Music soon so I can give it a proper listen.

In true Ye fashion, he also released a compelling and artistic video for “Father” featuring Travis Scott. If you watch closely, you’ll catch some visuals that feel both strange and incredible, the kind of detail that keeps you going back for another look.

Friday Heat: Raye, Yeat, Snoop Dogg and Rick Ross

RAYE (Photo credit: Aliyah Otchere)

By: Eddy “Precise” Lamarre

This week’s Friday Heat brings a strong mix of soulful expression, street energy, and genre-bending creativity across both albums and singles. Raye sets the tone with THIS MUSIC MAY CONTAIN HOPE, delivering a project rooted in vulnerability and musical depth. Elmiene follows with sounds for someone, offering a smooth, introspective listen that leans into feeling and storytelling. Yeat keeps his momentum going with ADL, packed with his signature sound and high-energy production, while Fetty Wap returns with Zavier, bringing a familiar voice back into the conversation.

On the singles side, there’s range and presence across the board. Snoop Dogg slides through with “Stop Counting My Poccets,” keeping it direct and unapologetic. Rick Ross, French Montana, and Max B connect on “Minks In Miami,” delivering luxury talk over polished production. Tank And The Bangas team up with Lucky Daye for “Move,” blending soul, funk, and rhythm in a way that feels refreshing.

Jenevieve continues to carve her lane with “Waiting Room,” while aja monet links with Meshell Ndegeocello and Georgia Anne Muldrow for a layered, poetic offering on “elsewhere.” Momo Boyd brings a lighter touch with “She’s a Sweetheart,” and KAIRO adds a melodic presence with “HALO.”

Closing things out, Desiigner taps back in with “Relax,” Trevor Jackson delivers emotion on “Bleed Next To A Shark,” and Zoe Osama keeps it raw with “BITCH PLZ.” This week’s lineup reflects how wide the sound is right now, with each artist bringing something distinct to the table.

Albums

Raye – THIS MUSIC MAY CONTAIN HOPE


ELMIENE – sounds for someone


YEAT – ADL

Fetty Wap – Zavier

Singles

Snoop Dogg – “Stop Counting My Poccets”

Rick Ross, French Montana, Max B – “Minks In Miami”

Tank And The Bangas – “Move” ft. Lucky Daye

Momo Boyd – “She’s a Sweetheart”

Jenevieve – “Waiting Room” (feat. Jordan Ward)

aja monet – “elsewhere” (feat. Meshell Ndegeocello & Georgia Anne Muldrow)

KAIRO – “HALO”

Desiigner – “Relax”

Trevor Jackson – “Bleed Next To A Shark”

Zoe Osama – “BITCH PLZ“

JAŸ-Z said what about battling and Hip Hop culture

By: Eddy ‘Precise” Lamarre

JAŸ-Z sat down with Frazier Tharpe of GQ for an interview for their April cover story. The music mogul opened up about his career the past year and shared some thoughts on the culture. 

GQ’s April cover story is an exclusive interview: 30 years of Jay-Z, in his own words:

Jay-Z has kept his thoughts to himself for the better part of the past decade. It’s been nine years since his last solo album and nearly four years since his titanic verse on “God Did.” As Hov himself puts it: “It’s been a minute.”

Now 56 years old and thirty years on from his debut album, Reasonable Doubt, Shawn Carter is more influential than ever before. But the journey hasn’t been without controversy, criticism, and challenges. When the hip-hop mogul sat down with GQ’s Frazier Tharpe for a pair of rare on-camera interviews in January, he put everything on the table reflecting on music, business, family, and life over the past three decades as Jay-Z.

Check out the video and hear what he has to say about the culture, battling and his life.

J. Cole and Camron address lawsuit – finally

By: Eddy “Precise” Lamarre

In a moment that feels both strategic and genuine, J. Cole and Cam’ron have finally sat down to address the lawsuit that once created tension between them. The meeting comes on the heels of the success surrounding Cole’s latest release, The Fall Off, and naturally, some are reading the timing as part of a broader rollout. Maybe it is, maybe it isn’t. Either way, the conversation itself lands right.

J. Cole didn’t shy away from being honest about his first reaction. “When the lawsuit came out, I was like, ‘Come on Cam’ … My ego reaction is like, quietly, I’m like, ‘fuck this n****.’ But quickly I’m like, ‘Nah I get it though.’” That quick shift from ego to understanding speaks to the space Cole has been operating in, where perspective matters just as much as pride.

Cam’ron kept it just as direct about his intentions. “Of course it was never gonna go anywhere, but for me it was like, ‘I need to get this n**** attention.’” It reframes the situation in a way that feels less like conflict and more like forcing a conversation that needed to happen.

With The Fall Off already dominating discussions, this sit-down adds another layer to Cole’s current moment. Some fans see it as calculated, part of a larger narrative being built. Others see two artists choosing to handle business face to face instead of letting it linger.

Coco Jones gets super sexy and unveils “Luvagirl” video

Coco Jones steps into a new era with the release of her “Luvagirl” video, delivering a confident and polished visual that matches the energy of the single. The video blends soft femininity with bold attitude, showcasing Coco’s growth as both an artist and storyteller. With clean production, striking visuals, and a performance that feels effortless, she leans fully into her identity and sound. “Luvagirl” captures themes of self-worth, love, and emotional clarity, giving fans something both relatable and aspirational. This release continues to position Coco Jones as one of R&B’s most compelling voices right now.

JAY-Z announces historic Yankee Stadium concerts in 2026

By: Eddy “Precise” Lamarre

JAY-Z and Roc Nation have announced two historic nights at Yankee Stadium this summer, celebrating the milestone anniversaries of two of the most influential albums in music history. JAY-Z 30 will take place on Friday, July 10th, honoring the 30th anniversary of Reasonable Doubt, and JAY-Z 25 will follow on Saturday, July 11th, marking 25 years since the release of The Blueprint.

The back-to-back concerts represent a rare opportunity for fans to experience both albums commemorated on the same stage, in the city where JAY-Z’s legendary career began.

Released on June 25, 1996, through Roc-A-Fella Records, Reasonable Doubt is widely regarded as one of the greatest debut albums in rap history. Featuring production from DJ Premier, Ski Beatz, Clark Kent, and Irv Gotti, among others, the album introduced JAY-Z as one of the genre’s most compelling storytellers. Guest appearances from The Notorious B.I.G., Mary J. Blige, Foxy Brown, Memphis Bleek, Jaz-O, and Sauce Money helped cement the project as an instant classic, one that has only grown in stature over the past three decades.

Five years later, JAY-Z raised the bar again. The Blueprint, released on September 11, 2001, is consistently ranked among the greatest albums ever recorded across any genre. Crafted largely in just two weeks, the project featured production from a then-rising Kanye West, Just Blaze, and Bink, and showcased a confidence and artistry that redefined what a rap album could be. Twenty-five years on, its influence remains undeniable.

The concerts arrive at a moment when JAY-Z’s legacy spans far beyond music. A 25-time Grammy Award winner, he made history as the first solo hip-hop artist inducted into the Rock and Roll Hall of Fame. He is also a Songwriters Hall of Fame inductee whose impact on popular culture is difficult to overstate.

In 2008, JAY-Z co-founded Roc Nation, the global entertainment company that today spans music, sports, film, and culture. His entrepreneurial portfolio includes D’USSÉ cognac, Paper Planes, the iconic 40/40 Club, TIDAL, and Armand de Brignac champagne, ventures that reflect the same vision and ambition that defined his earliest work.

JAY-Z has also remained committed to social impact throughout his career. Through the Shawn Carter Foundation, co-founded with his mother Dr. Gloria Carter, he supports educational opportunities for underserved youth. He has also been a prominent advocate for criminal justice reform through the REFORM Alliance.

JAY-Z 30 and JAY-Z 25 promise to be defining moments not just for hip-hop fans, but for anyone who understands the cultural weight these two albums carry. Reasonable Doubt announced the arrival of an artist unlike any the genre had seen. The Blueprint proved he could evolve, innovate, and inspire an entirely new generation of artists.

Together, they tell the story of one of the greatest careers in music history, and this July, that story comes home to New York.

Why Afroman is my new favorite rapper


By Eddy “Precise” Lamarre

Afroman has officially become my favorite rapper.

I remember hearing about the raid on his home back in 2022 in Adams County, Ohio. Authorities showed up with a warrant looking for drugs and a kidnapping victim. They didn’t find either. What they did do was kick in his door, search through his home, and leave it in pieces.

They also allegedly took cash.

When Afroman went to get his money back, he said he was $400 short.

That’s when things took a turn.

The “Because I Got High” rapper did what he’s always done. He made music out of it. But this time, it wasn’t just a vibe or a moment. It was personal.

He dropped songs like “Will You Help Me Repair My Door”, “Lemon Pound Cake”, and “Why You Disconnecting My Video Camera”, using actual footage from his home surveillance cameras during the raid. He turned the entire situation into content, into commentary, into something that couldn’t be ignored.

And I’m not going to lie, I love every moment of it.

This is hip hop at its core. This is what the culture was built on. Speaking truth, pushing back, and documenting what’s happening in real time. No filter, no permission needed.

He’s standing on his experience and letting the music do the talking.

Now the officers involved feel some type of way about it and filed a lawsuit, claiming defamation, invasion of privacy, and emotional distress over the videos and songs.

And that’s the part that really gets me.

How do you show up, tear someone’s home apart, allegedly take their money, end up finding nothing you were looking for, and then get mad when that same person turns around and makes songs about it?

Not just songs, but creative, funny, and sharp records that call out exactly what happened from their point of view.

That’s what artists do.

That’s what hip hop does.

Afroman didn’t run from it. He leaned into it. He turned surveillance footage into storytelling. He flipped frustration into records. He made the situation live forever in a way that paperwork and reports never could.

People really are something else.

Shout out to Afroman and that American flag suit. He’s standing in it, owning it, and not backing down. Whether he wins the case or not, he already made his statement.

And he gained a new fan in me.


What to Expect at Roots Picnic 2026 with Jay-Z

  • By Eddy “Precise” Lamarre Mar 17, 2026

Hip-hop is set for a defining summer moment as Jay-Z takes center stage as a headliner at the Roots Picnic, taking place May 30–31, 2026, in Philadelphia. Curated by The Roots, the annual festival continues to stand as one of the culture’s most important gatherings, blending hip-hop, R&B, and community into one powerful weekend.

This year’s edition carries added anticipation, not just because of Jay-Z’s presence, but because of what it represents. After a challenging 2025 festival that was impacted by severe weather and logistical issues, the Roots Picnic is positioning itself for a strong comeback. Last year’s event saw delays, shortened performances, and frustration among attendees. Organizers have acknowledged those concerns and are implementing improvements, including a new venue at Belmont Plateau and enhanced planning to elevate the overall experience.

Jay-Z’s headlining slot feels intentional in that context. His presence signals a reset and raises expectations across the board. Known for commanding stages worldwide, he brings both star power and a catalog that spans decades. Whether delivering fan favorites or pulling from deeper cuts, his set is expected to anchor the weekend and reestablish the festival’s momentum.

There is also a layer of legacy surrounding this performance. Jay-Z continues to celebrate the enduring impact of his debut album Reasonable Doubt, originally released in 1996. The project laid the foundation for one of the most influential careers in music and business. A performance at Roots Picnic provides the ideal setting to revisit that era while connecting it to his continued evolution as an artist and cultural figure.

The connection between Jay-Z and The Roots adds even more weight to this moment. Their history includes a standout collaboration on MTV Unplugged in 2001, where The Roots served as the live band for Jay-Z. That performance reimagined his music through live instrumentation and remains one of the most respected live hip-hop sets ever recorded. The chemistry from that collaboration still resonates, making this reunion feel like a full-circle moment.

That history also fuels speculation. The Roots Picnic has always been known for surprise guests and collaborative performances, and Jay-Z’s involvement opens the door for something beyond a standard festival set. A live band-backed performance with The Roots, special appearances, or even hints at new material all remain possibilities. Given Jay-Z’s selective approach to live performances in recent years, his decision to headline suggests intention behind the moment.

Beyond the music, the Roots Picnic continues to serve as a cultural touchpoint. Since its inception, the festival has brought together generations of artists and fans, creating a space where legacy acts and emerging talent share the same stage. With Jay-Z headlining, the festival regains a level of scale and significance that aligns with its history.

Philadelphia adds another dimension. As the home of The Roots and a city deeply connected to hip-hop culture, it provides an authentic backdrop that elevates the experience. The crowd, the history, and the energy all contribute to what feels like more than just a festival. It becomes a cultural moment.

As May 30–31 approaches, all eyes will be on the Roots Picnic to see how it delivers on this opportunity. With lessons learned from last year and one of hip-hop’s most iconic figures leading the charge, the stage is set for a comeback that could redefine the festival’s trajectory moving forward.