Are You Ever Too Old to Rap? Hip-Hop Legends Prove Age Is Just a Number in 2024

By: Eddy “Precise” Lamarre

Common at Millennium Park 20 year celebration (Photo credit: Eddy “Precise” Lamarre)

2024 is undoubtedly the year of the rap OG, returning the genre to its essence. At the year’s start, Killer Mike swept the rap category, winning Best Rap Album, Best Rap Song and Best Rap Performance. That accomplishment opened a portal to rap’s golden age. In a time dominated by auto-tune and vibes, younger artists like Travis Scott, Future and Lil Yachty have stamped their distinct styles onto the genre, helping redefine global perceptions of hip-hop culture. The storytelling and lyricism that defined rap in the ’90s seemed lost to history.

2024 has brought a resurgence of what many call “real rap,” and many of rap’s elder statesmen are drawing a line in the sand, reminding the world of their capabilities. Artists who have lived and grown with the genre have delivered projects showcasing their experience and skills. Killer Mike’s “Michael” set the stage, while Masta Ace and DJ Marco Polo followed with “Richmond Hill.” Common and Pete Rock released “The Auditorium Vol. 1,” earning Grammy nominations for Rap Song of the Year and Rap Album of the Year. LL Cool J teamed with Q-Tip for “The Force,” proving hip-hop legends can still innovate.

Other notable releases include Rakim’s “G.O.D’s Network (REB7RTH),” Ghostface Killah’s “Set the Tone (Guns & Roses)” and Ice Cube’s “Man Down.” These projects represent offerings from legends who have spent decades perfecting their craft.

Age and the Evolution of Hip-Hop

This OG takeover has inspired others from the same generation to continue following their dreams and creating new projects. All of this has sparked online debates about whether anyone should be rapping well into their 40s and 50s. Some argue older rappers should step aside and become mentors. Others see no reason for rappers to “age out” of creating their art.

Imagine if the Rolling Stones felt they aged out of rock ‘n’ roll. Rock legends perform and record well into their 70s and are celebrated. Why should rap be different? “Our storytelling gets better with age,” LL Cool J said. Storytelling has always been rap’s core. Who better to reflect on life’s challenges than those who have lived it? Styles have changed, new styles emerged and there’s always space for styles that were popular 20 or 30 years ago.

Hip-hop at 50 points to the culture’s endurance and relevance. Creativity has no expiration date. As Killer Mike said, “I’m going to do this until I physically can’t do it anymore. What you’re hearing now is the perspective of a 48-year-old Black man who has lived enough life to actually have something to say.”

Follow your dream, create your art no matter how old you are. What you have to offer matters, and the world is better for it. Whether you’re a 20-year-old newcomer or a 50-year-old veteran, your voice is valid. Hip-hop, like life, is an ever-evolving journey. These seasoned artists aren’t just making music; they’re showing us how to grow, adapt and stay true to ourselves.

Notable 2024 Releases:

  • Masta Ace and DJ Marco Polo – “Richmond Hill”
  • Common and Pete Rock – “The Auditorium Vol. 1”
  • Rakim – “G.O.D’s Network (REB7RTH)”
  • LL Cool J and Q-Tip – “The Force”
  • Ghostface Killah – “Set the Tone (Guns & Roses)”
  • Eminem – “The Death of Slim Shady”
  • The Dogg Pound – “W.A.W.G. (We All We Got)”
  • MC Lyte – “1 of 1”
  • Ice Cube – “Man Down”

2024 is proving to be a pivotal year for hip-hop, reminding us that age isn’t a limitation but a superpower. These artists are living proof that rapping at 50 is not only possible but essential to the culture they helped build.


Kendrick Lamar Dominates 2024 With Surprise Album ‘GNX’

Credit; Dave Free

By: Eddy “Precise” Lamarre

Kendrick Lamar has put an exclamation mark on his domination of 2024 with the surprise release of his latest album “GNX.” This release emerges as a seismic cultural moment, quickly becoming the talk of the internet. Inspired by the Buick Grand National he leans on in the cover art, Lamar embraces his “villain era” with unwavering confidence.

The album opener “wacced out murals” sets the tone with production that feels like a stripped-down, bass-driven reimagining of Whodini’s classic “Friends.” Lamar embraces the darker side of that memorable hit and weaponizes the track while highlighting haters, betrayal and self-preservation. “It used to be fuck that nigga, but now it’s plural, fuck everybody,” he raps, sparing no one. He even has a words for Snoop Dogg, whom he called out for sharing Drake’s AI-generated diss track “Taylor Made” during the height of the Drake vs. Kendrick battle.

One of the standout tracks, “reincarnated,” showcases Lamar’s strength as an artist. He demonstrates his keen ability to blend storytelling and introspection. Lyrically, he takes listeners on a journey through three lives experiencing reincarnation. The track is reminiscent of 2Pac’s “All Eyez on Me.” In the first two verses, he adopts Tupac’s cadence before closing the song with his distinctive delivery. The track is layered, as the three people described are reincarnated into different lives, while Lamar’s masterful delivery suggesting that he is the reincarnation of Tupac.

The production across “GNX” captures a minimalist, bass-heavy sound of L.A. and provides space for Lamar’s verses. This is most evident on “tv off,” produced by DJ Mustard and reminiscent of 2024’s culturally relevant anthem “Not Like US.”

The album features Mexican singer Deyra Barrera and rappers, Peyso, AzChike, Dody 6, Hitta J3, Peysoh, Siete, Wallie The Sensei and Young Threat. SZA joined her former TDE labelmate on “Luther” and “Gloria.” SZA’s performance on “Gloria” is hypnotic, her voice floating with ease through the verses before building into a luxuriant guitar solo.

Another standout track, “man at the garden,” evokes the haunting tension of Phil Collins’ “In the Air Tonight” along with “One Mic” by Nas and delivers an introspective Lamar. He examines his worthiness, boldly stating “I deserve it all” when discussing his accolades, accomplishments and the work behind them.

“GNX” is a statement during a year when Lamar made it his mission to fully separate himself from his peers. He delivers his honesty with a boldness that compels listeners to dig deeper into their own identity.

Tyler Makes History With ‘CHROMOKOPIA’ Billboard Debut

By: Eddy “Precise” Lamarre

Tyler, the Creator is having a historic year and continues to carve out his own lane within the music industry. His latest album “CHROMOKOPIA” has secured the top spot on the Billboard 200. Tyler is on a run in the past four years that is unprecedented.

The Odd Future leader’s project earned nearly 300,000 units in its first week after releasing his album on a Monday, disregarding the Friday release that most artists follow. Taking the road less traveled earned “CHROMOKOPIA” the second-highest rap release of 2024 behind Travis Scott. “CHROMOKOPIA” is the sixth-biggest overall debut this year.

The numbers tell the story. “CHROMOKOPIA” generated more than 212 million streams and sold 142,000 units that were driven by physical album sales and merchandise. What stands out with this specific release is that it is Tyler’s fourth release in the last four years that has hit No. 1. This unprecedented achievement separates him from the pack.